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by Sally Mitani
posted 12/1/2004
Europe in the decade before World War II, under the looming specter of fascism, has supplied some of our best plotlines for musicals. In Berlin we have Sally Bowles consorting with Nazis and the demimonde. In Salzburg the von Trapp family tries to stop the Anschluss with a song. Meanwhile, somewhere in Budapest, some face cream squirts out the wrong end of
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