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by Laura Bartlett
posted 6/1/2003
The nearly claustrophobic exhibit of sixty-three Auguste Rodin sculptures crammed into two second-floor galleries at the U-M Museum of Art, swarming with visitors on the weekday I visited, left me with mixed feelings: awe at the beauty of Rodin's expressive modeling of the body, and queasiness that these treasures aren't displayed in a spacious hall that
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