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| © Courtesy Wiggy |
posted 9/5/2010
This March, Billy Bragg took the stage at a festival in Florida, alone with his electric guitar. He tore into "To Have and To Have Not," an explosive song from his first album about a working-class British kid trying to find a job in a recession, fighting the sense he's one of capitalism's castoffs. Months earlier, a quieter Bragg stood in a Spanish radio studio
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