vocally returning the favor. Coppola has colored her hair as well, but more completely. Purplish-red locks dangle from beneath a beret-like cap. At first glance they may appear an odd couple, but there’s a noticeable chemistry between the two that goes beyond the way their voices mesh. The two are genuinely enjoying each other’s presence and the music they’re making. The song is highly orchestrated and reminds me of the Decembrists in both sound and construction. To Bouchard’s left stands Linden McEachern, the band’s third member, who plays stand-up bass, both with and without bow. The three blend a well-developed supple acoustic sound, which creates the perfect playground for Bouchard and Coppola’s beautifully interchanging vocals.
The majority of the songs Match By Match plays are from their recent album, American Crowbar, a concept record about the unusual happenstances surrounding the life of Phineas Gage, a nineteenth-century railroad construction foreman, who survived a freak accident in which an iron rod was driven through his skull, injuring his brain and reportedly changing much of his personality. Bouchard stumbled across Gage’s story while surfing the net, and it intrigued him enough to formulate an entire body of work based around the themes of how things in life can change you against your will. Incidentally, the Gage-inspired songs that Match By Match created have subsequently inspired the New Theatre Project, an Ypsilanti-based group, which collaborated with the band to turn American Crowbar into a musical.