debut album, Shapeshift, sounds to me like a song with national potential.
The main attraction is not her Arabic background. She does sing in Arabic occasionally, and some of the imagery (“Some day I’ll ask you to grow me an olive tree”) comes from that part of the world. You might even enjoy an edge in her singing that speaks to having heard Umm Kulthum and other great Arab popular singers—her voice has a great deal of texture and soul. But her music does not use Arabic modes. It’s basically folk-pop, piano or guitar based. The Swell Season is a reasonable comparison.
Instead it’s Malhas’s songs that are getting the attention of audiences at her shows over the past year or two, in the Detroit area and as far beyond as Jordan. The majority of them pertain to relationships, familiar enough ground for a twenty-something songwriter. But Malhas’s songs are both deeply felt and full of fresh images. A song about a lingering attraction ends unexpectedly with “Some words are only meant to be sung.” Some come from the downside of love, and Malhas has an unusual knack for using elemental nature images with emotional resonances (“I crumble like salt, and you sink like a stone”). She writes long verses that show evidence of a good deal of work done to bend emotion to a metrical scheme. A few of her songs have ambitious, dark lyrics that can be read in multiple ways.