continued
His most recent book in English takes its title, Eternal Enemies, from a poem written to celebrate marriage—“Only in marriage do love and time,/eternal enemies, join forces.” It’s hard to imagine an American poet comfortable with that emotion, that kind of statement, or that level of abstraction. Another poem, “The Greeks,” starts with a large historical and literary allusion, moves into the poet’s personal history of childhood under the dour and fearful presence of Stalin, and then ends on an ecstatic moment that sounds a little bit like William Carlos Williams at his most exuberant:
I would have liked to live among the Greeks,
talk with Sophocles’ disciples,
learn the rites of secret mysteries,
but when I was born the pockmarked
Georgian still lived and reigned,
with his grim henchmen and theories.
Those were years of memory and grief,
of sober talks and silence;
there was little joy—
although a few birds didn’t know this,